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Book Title: I'll Never Be Young Again|
The author of the book: Daphne du Maurier
Edition: Pocket Books
Date of issue: 1971
ISBN: No data
ISBN 13: No data
City - Country: No data
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Reader ratings: 6.5
Format files: PDF
The size of the: 1.45 MB
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'The iron of the bridge felt hot under my hand. The sun had been upon it all day. Gripping hard with my hands I lifted myself on to the bar and gazed down steadily on the water passing under... I thought of places I would never see, and women I should never love. A white sea breaking on a beach, the slow rustle of a shivering tree, the hot scent of grass... I breathed deeply and I felt as though the waiting water rose up in front of me and would not let me go'
As far as his father, an accomplished poet, is concerned, Richard will never amount to anything, and so he decides to take his fate into his own hands in a moment of crisis. But at the last moment, he is saved by a passing stranger, Jake, who appeals to Richard not to waste his life. The two men, both at turning points, and on a whim set out for adventure, jumping aboard the first ship they see, cementing a passionate friendship. Their journeys take them to Norway and across Europe, become firm friends. But it is in bohemian Paris, where Richard meets Hesta, a captivating music student, who enables him to fulfil his own artistic promise.
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Read information about the authorIf Daphne du Maurier had written only Rebecca, she would still be one of the great shapers of popular culture and the modern imagination. Few writers have created more magical and mysterious places than Jamaica Inn and Manderley, buildings invested with a rich character that gives them a memorable life of their own.
In many ways the life of Daphne du Maurier resembles a fairy tale. Born into a family with a rich artistic and historical background, the daughter of a famous actor-manager, she was indulged as a child and grew up enjoying enormous freedom from financial and parental restraint. She spent her youth sailing boats, travelling on the Continent with friends, and writing stories. A prestigious publishing house accepted her first novel when she was in her early twenties, and its publication brought her not only fame but the attentions of a handsome soldier, Major (later Lieutenant-General Sir) Frederick Browning, whom she married.
Her subsequent novels became bestsellers, earning her enormous wealth and fame. While Alfred Hitchcock's film based upon her novel proceeded to make her one of the best-known authors in the world, she enjoyed the life of a fairy princess in a mansion in Cornwall called Menabilly, which served as the model for Manderley in Rebecca.
Daphne du Maurier was obsessed with the past. She intensively researched the lives of Francis and Anthony Bacon, the history of Cornwall, the Regency period, and nineteenth-century France and England, Above all, however, she was obsessed with her own family history, which she chronicled in 'Gerald: a Portrait', a biography of her father; 'The du Mauriers', a study of her family which focused on her grandfather, George du Maurier, the novelist and illustrator for Punch; 'The Glassblowers', a novel based upon the lives of her du Maurier ancestors; and 'Growing Pains', an autobiography that ignores nearly 50 years of her life in favour of the joyful and more romantic period of her youth. Daphne du Maurier can best be understood in terms of her remarkable and paradoxical family, the ghosts which haunted her life and fiction.
While contemporary writers were dealing critically with such subjects as the war, alienation, religion, poverty, Marxism, psychology and art, and experimenting with new techniques such as the stream of consciousness, du Maurier produced 'old-fashioned' novels with straightforward narratives that appealed to a popular audience's love of fantasy, adventure, sexuality and mystery. At an early age, she recognised that her readership was comprised principally of women, and she cultivated their loyal following through several decades by embodying their desires and dreams in her novels and short stories.
In some of her novels, however, she went beyond the technique of the formulaic romance to achieve a powerful psychological realism reflecting her intense feelings about her father, and to a lesser degree, her mother. This vision, which underlies 'Julius', 'Rebecca' and 'The Parasites', is that of an author overwhelmed by the memory of her father's commanding presence. In 'Julius' and 'The Parasites,' for example, she introduces the image of a domineering but deadly father and the daring subject of incest.
In 'Rebecca', on the other hand, du Maurier fuses psychological realism with a sophisticated version of the Cinderella story. The nameless heroine has been saved from a life of drudgery by marrying a handsome, wealthy aristocrat, but unlike the Prince in Cinderella, Maxim de Winter is old enough to be the narrator's father. The narrator thus must do battle with The Other Woman - the dead Rebecca and her witch-like surrogate, Mrs Danvers - to win the love of her husband and father-figure.
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